A finance titan in the early 20th century, Bevel has built spectacularly on fortunes amassed by his forebears. Trust fulfills that book’s promise, and then some. Published in 2017, Diaz’s debut, In the Distance, was a finalist for the Pulitzer Prize and the PEN/Faulkner Award. As an American epic, Trust gives The Great Gatsby a run for its money.
Free markets are never free, as he suggests our desire to punish often trumps our generous impulses. Each story talks to the others, and the conversation is both combative and revelatory. He structures Trust around a childless, affluent Manhattan couple, Andrew and Mildred Bevel, in a quartet of narratives that open up like Matryoshka dolls: a novel, a partial memoir, a memoir of that memoir, and a journal.
He transports readers back to the Roaring Twenties and subsequent Depression, when our collective labors bore rotten fruit, seeding disparities that are still with us. Scott Fitzgerald was dead wrong when he quipped that there are no second acts in American lives as Hernan Diaz probes in Trust, his enthralling tour de force, there are at least four wildly disparate perspectives on the rich and infamous.
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